Alexandra Ganser, Leopold Lippert, Eva Maria Schörgenhuber, Helena Oberzaucher American Studies as Im/Mobility Studies: Introduction
Alexandra Hauke Black Im/Mobilization, Critical Race Horror, and the New Jim Crow in Jordan Peele's Get Out
Dorothee Marx 'But I'm not even in a wheelchair': Dis/ability, Im/mobility, and Trauma in Hanya Yanagihara's A Little Life
Stefan Rabitsch One Nation Under Many Cowboy Hats: Western Hats and American Studies—A Cultural-Historical Conspectus
Katharina Wiedlack 'The Beast from the East': Mental Dis/Ability and the Fears of Post-Socialist Mobility in North American Popular Culture
Isabel Dorothea Kalous Navigating Hostile Terrain with the Green Book: Race, Im/Mobility and a Travel Guide for African Americans during Segregation
Barbara Gfoellner 'It sounds like erasure': Mobility, Vulnerability, and Queer Coolitude Poetics in Rajiv Mohabir's The Taxidermist's Cut
Silvia Schultermandl, Gulsin Ciftci, Jennifer Reimer American Studies as Vulnerability Studies: Introduction
Anna Marta Marini Semiospheric Borders and the Erasure of Latinx Subjectivity in Culture Shock and Sleep Dealer
Regina Seiwald, Alex Wade A Genealogy of Power: The Portrayal of the US in Cold War-Themed Videogames
Barbara Gföllner 'The World Called Him a Thug': Police Brutality and the Perception of the Black Body in Angie Thomas's The Hate U Give
Juliann Knaus The Dissolution of Racial Boundaries: Colonial Diction and Mixed-Race Representations in Natasha Trethewey's Thrall
Gulsin Ciftci 'Vulnerable as a small pink mouse': Vulnerability, Affect, and Trauma in Hanya Yanagihara's A Little Life
Leopold Lippert On Being Topped: Vulnerability and Pleasure in Ocean Vuong's On Earth We're Briefly Gorgeous