Volume 2, No. 2Mediating Mountains

Eva-Maria Müller, Christian Quendler

Mediating Mountains: Introduction to the Special Issue

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Mountains confront us in many guises. They visualize space and provide geopolitical orientations that address questions of historical, cultural, social, national, and individual identities. Mountains are subjects of philosophical reflections, environmental meditations, and ecocritical ontologies. They serve as a means of spiritual invigoration, scientific experimentation, medical therapy, and recreation. They are sources and resources of technological and artistic innovations, human and nonhuman exploitations. Mountain spaces are often borderlands, contested zones of imperial expansion, war, and migration. They are sites of tourism and industrialization, deposits of waste, and repositories of cultural memory; their forms are shaped and reshaped through processes of cultural and geological erosion. This polymorphous and fluid nature turns mountains into a dynamic medium that both reflects and grounds subjectivities. Mountains may also be conceived of as what Timothy Morton calls "hyperobjects" that affect the very ways we come to think about existence, earth, and society. This special issue sets out to examine the cultural and aesthetic malleability of mountains.

Birgit Capelle

Mountains and Waters of No-Mind: A Transcultural Approach to Moments of Heightened Awareness and Non-Substantialist Ontology in Henry David Thoreau, Jack Kerouac, and Gary Snyder

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This article explores the epic poem Mountains and Rivers Without End (1996) by Gary Snyder and a Song/Chin dynasty Chinese landscape painting. I illustrate how the poem and the painting, together with Henry David Thoreau’s autobiographical narrative A Week on the Concord and Merrimack Rivers (1849) and Jack Kerouac’s The Dharma Bums (1958), form a complex web of intertextual and intermedial references. All four works, I argue, tell similar narratives of spiritual journey and paths through mountain and river landscapes; all four speak of moments of heightened awareness in the sense of Buddhist “no-mind” (Chinese: wu-shin; Japanese: mushin). I show how they converge in exhibiting ontologies of non-substantiality, emptiness, and becoming. Taking the philosophies of Zen Buddhism and Taoism as a theoretical frame, I argue that the American transcendentalist and Beat works poetically and narratively convey relational rather than substantialist views of Being and life. They depict the world as a dynamic and open field of tension between two non-oppositional forces from which we as subjects are not essentially separate in a dualistic way. I substantiate my argument by drawing on the French sinologist and philosopher François Jullien, who refers to the Chinese understanding of landscape (“mountains and waters”) in his critical treatment of (European) philosophy’s centuries-long subject-centered epistemology and substantialist “ontology of Being.”

Heinz Tschachler

More than a Feeling: Why the Lewis and Clark Expedition Did not Experience 'the Sublime' at the Great Divide when Crossing the American Continent

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When in the early summer of 1805 Meriwether Lewis for the first time sights the great mountains of the American West, he merely reports "an august spectacle." The word "august" was not then an aesthetic category, nor did it usually describe visual contact with landscape. Categories used for these purposes were the picturesque and the sublime. Whereas there are numerous examples of the picturesque in the journals of the Lewis and Clark expedition, the sublime draws a blank. In my contribution, I will be offering several reasons for the absence of description in the sublime mode: (1) Like their contemporaries, Lewis and Clark held nature up to the yardstick of utility, calculating the agricultural potential of the land or the navigability of a river. (2) The Lewis and Clark expedition was a military expedition, sent out by President Jefferson not to stand in awe at sublime grandeur but to document a useful landscape. (3) Seeing mountains as sublime was essentially a matter of an individual imagination. The Corps of Discovery was a group, whose success depended on cooperation. Hence, the individual imagination must take a back seat. (4) The actual experience of hardship and adversity during the crossing of the Rockies would have obviated any description in the "grand style." (5) Finally, the Corps of Discovery was not even prepared to encounter the great mountains of the West, expecting instead gentle rolling hills that would enable an easy portage to the Columbia River and, if anything, call for picturesque description.

Michael Wedekind

Mountain Grand Hotels at the Fin de Siècle: Sites, Gazes, and Environments

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Grand hotels had been a metropolitan phenomenon before they emerged in remote regions of the Alps between the 1880s and the 1930s. This essay explores how these semi-public spaces and early places of modernity engaged with alpine scenery and shaped the very industry of mountain tourism. It analyzes the relationship between elite tourism and the natural and social environment of the Alps.

The success of mountain grand hotels was tied to increasing industrialization and a new understanding of travel. Their thoughtful detachment from space, time, and society was an expression of a business as much as of social philosophy. In the late nineteenth and early twentieth century, mountains served as a backdrop for the narrative of the period's scientific and technical progress and became subject to rational interpretation and economic exploitation. Mountain grand hotels were not only a key component of tourism infrastructure but also the bold expression of a presumptuous occupation of spaces set away for tourism. Natural space had widely been turned into social space for visual and leisurely consumption, raising questions of authority, priority, appropriation, and imposition.

By mapping the perception of mountains along the history of mountain grand hotels, this essay studies the sites, gazes, and environments of mountain tourism at the fin de siècle. It examines how the history of the mountain grand hotel conflates with the forces of nationalism, colonialism, and capitalism and showcases how these spaces reflect the socio-economic transformations that ultimately paved the way for mountain mass tourism.

Benita Lehmann

Jennifer Peedom's Mountain as a City Symphony

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This article explores Jennifer Peedom’s film Mountain (2017) through the lens of the city symphony in view of structural, aesthetic, and thematic parallels between mountain and city symphony films. Analyzing Mountain in the generic context of the city symphony film draws attention to the deep structural links between urban centers and mountains, and their shared technological and urban infrastructures. This appraoch also harnesses the potential of film studies to revise dominant perceptions of mountains and can help viewers understand mountains as places of density and as dense networks that are developed by technological infrastructure and informed by dense technological, social, and cultural networks. By drawing on media ecology, actor-network theory, and media archeology, I will show that, similar to city symphonies, Mountain explores collective networks beyond the human realm to shed light on mountains as cultural spaces, geological manifestations, and eco-social realities. In so doing, Mountain tries to help humans to come to terms with the deep temporalities of alpine spaces and their technological mediations.

Sascha Pöhlmann

Thereness: Video Game Mountains as Limits of Interactivity

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This article theorizes the abstract quality of "thereness," or a challenging presence that both invites and resists being engaged by humans, which is central to the ludic and symbolic function of a number of related video games in recent years. I will discuss games that deliberately resist the mimetic approach of an ever-increasing "realism" in this popular medium but rather explore the allegorical aspects of the mountains, notably without turning them into "mere" metaphors but insisting on their own distinct existence as something beyond ourselves. As virtual mountains that are not really to be played with, they invite a philosophical, cultural, and aesthetic interpretation as human mediations of what resists both mediation and the human, as something always just beyond our full cognitive and epistemological grasp, a limit rather than an object of our consciousness. I will discuss how games such as Celeste (2018), Getting Over It with Bennett Foddy (2017), and Mountain (2014) use their unique audiovisual, tactile, and ludic qualities to convey this elusive "thereness" of the mountain as something that both challenges and rejects human interaction. Instead of offering their players the fantasy of power and control that so often underlies contemporary video games, these games evoke the otherness of mountains to take their players to the limits of interactivity within a medium that is fundamentally defined by this very interactivity.

Mark Nunes

Becoming-Data, Becoming-Mountain: Affordances, Assemblages, and the Transversal Interface

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This article explores our ecological relation to both information and information technologies as we "mediate mountains." Starting with a Gibsonian approach to affordances, and considering how an agent-specific account of action limits human access to "the digital," I suggest that the interface between human and device marks a double-coupling of two agents—one digital the other embodied—each of which draws out the other to alter potential action. The essay explores the affordances of agents and the environments in which they act, and how action seemingly occurs across the boundaries marked by the human-device interface. Drawing on actor network theory, assemblage theory, and Don Ihde's "inter-relational ontology," I examine how, within an ecology of humans and mobile devices, "agency" and "action" operate within a Deleuzean transversal, cutting across body-machine boundaries. As an application of this analysis, I examine the relationship between embodied and digital agents "in the wild" of the mountains, through AR and GPS-enabled smartphone apps, and how each agent, acting upon its own environment, gives rise to transversal events that alter the affordances offered to agents across a seemingly uncrossable divide.